Thirty years ago this week, I received a phone call, inviting me to audition for Paul Weller and Mick Talbot and the result was a European tour and appearances on TV, radio, a top five single and The Style Council's Cafe Bleu. Some very happy times and now I've finally framed the posters from the first ever gig and the last of the tour. I'm not wallowing in memories, but it's nice to have them up on the wall, alongside other memories.
Tonight’s performance in the main hall at London’s Barbican Centre confirmed Maria Schneider ’s position as one of the finest composers of our generation. Working with the sublime Oslo Jazz Ensemble (formerly Denada), Schneider presented a selection of tunes from her ‘Data Lords’ double album from 2020 and the result was simply extraordinary. Photo credit @Hilary Seabrook With a host of Grammy awards and a Pulitzer Prize nomination for Data Lords , Schneider has proved her right to stand on the Barbican stage in front of one of the finest ensembles in the world. Her music allows every member to shine, individually and collectively. Sax players who double on clarinet, bass clarinet, flute and alto flute, trumpets and flugelhorns, an accordion and multiple percussion pieces wielded by the drummer collectively provide a range of timbres, textures and dynamics that thrilled this audience. The Data Lords compositions celebrate everything that is wonderful about nature, as well as all ...
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