Skip to main content

Suffragette. See it. That is all

There are many elements of the new film Suffragette that make it a must-watch.

The directing is just beautiful. Whatever the content or themes, it's rare to find a film which is sometimes difficult to sit through but keeps you absolutely gripped.

Which brings me to the next reason to watch - Suffragette is a film about London people, based and filmed in London. The setting is stunning, including a scene in the Houses of Parliament which adds a frisson. Those actors are playing real people who were actually there, just over a century ago.

The acting is, of course, exemplary. Carey Mulligan plays Maud Watts with little make-up and a growing passion for equality for women. At the beginning, she almost doesn't realise how unfair it is. There's a slight disappointment as she hands her pay check to her husband but it takes meetings with other women - led by Helena Bonham-Carter in one of her best roles - to spark her awareness. It's half-way through the film before she's able to admit "I am a Suffragette".

This truly is a remarkable film, with two fabulous male characters who are clearly products of their generation but with a growing awareness of their own. Ben Whishaw was interviewed on the red carpet and he understood his character very well, while clearly being a supporter or the benefits that came to society from the actions of these brave women. Never mind taking your daughters to see this film - take your sons!

It's the first film to be made about the Suffragette movement. I wonder why that could be. Purse strings held largely by men? I'd love it to be so popular it shows that films about women can be popular. And not a song or a dance in it anywhere!

Comments

Popular posts from this blog

Maria Schneider: Live at The Barbican

Tonight’s performance in the main hall at London’s Barbican Centre confirmed Maria Schneider ’s position as one of the finest composers of our generation. Working with the sublime Oslo Jazz Ensemble (formerly Denada), Schneider presented a selection of tunes from her ‘Data Lords’ double album from 2020 and the result was simply extraordinary. Photo credit @Hilary Seabrook With a host of Grammy awards and a Pulitzer Prize nomination for Data Lords , Schneider has proved her right to stand on the Barbican stage in front of one of the finest ensembles in the world. Her music allows every member to shine, individually and collectively. Sax players who double on clarinet, bass clarinet, flute and alto flute, trumpets and flugelhorns, an accordion and multiple percussion pieces wielded by the drummer collectively provide a range of timbres, textures and dynamics that thrilled this audience. The Data Lords  compositions celebrate everything that is wonderful about nature, as well as all ...

Big Wade - 'Piano Man' out now

Big Wade and Black Swan Theory collectively blends funk, soul, jazz and everything that fills the cracks between those genres: his new album -  Piano Man - on all major streaming platforms ahead of the Piano Man Tour 2024 , which has dates across the US. Piano Man  brings a selection of original and covers, including a stunning version of Autumn Leaves , which reinvents the song as the funky, electronic Autumn . Big Wade's voice takes the song's melody and improvises around and around, with backing vocals and a deliberately sparse arrangement underpinning the song. Similarly, on Children of the Ghetto , the lead and backing vocals blend in with the soulful musicians of Black Swan Theory. Electronics are used with dexterity, often expanding the vocal lines, as in the ethereal and ghostly opening of Don't Let Me Go . However, the tools never dominate - simply adding depth and layers to the funk. Never more than when Big Wade enters a new world in Interludes , including vocals...

The Darius Brubeck Quartet: Live at Jazz Cafe Posk

My first visit to Jazz Cafe Posk in London's Hammersmith coincided with the 60th anniversary of Posk - The Polish Social and Cultural Association - and the first performance in the club by pianist and composer Darius Brubeck. Photo credit @ Hilary Seabrook Darius was 10 when he joined his father on a historic tour of Poland. The Dave Brubeck Quartet toured Poland from 6 to 18 March 1958, just three years after the communist regime's ban on jazz was lifted. Without a doubt, this was the biggest jazz event in post-war Poland, with the archetypal and hugely successful outfit of Dave Brubeck (piano), Paul Desmond (alto sax), Eugene Wright (bass) and Joe Morello (drums). Sixty years later, in  2018, Darius took his own quartet - the same one he brought to Posk in May 2024 - to Poland for a significant tour, recorded and released as the Live in Poland album. Several of the tracks from this album were in the set at Posk and this quartet displayed in depth the benefits of playing to...