Ashley Slater: Merry Jazzmas!

-
I'm breaking the habit of a lifetime and mentioning the 'C' word in November - only because singer, composer and trombonist Ashley Slater is a good friend and he's produced the album that you need for every gathering you're planning over Christmas.



This album has been a closely-guarded secret throughout 2024, with Ashley barely mentioning it more than once a week across social media. Now that's it's finally arrived in your listening ears, you're going to love Merry Jazzmas!

Featuring a bevy of brilliant musicians, every track was crafted by the witty Mr Slater (listen out for "One and one makes true") and the arrangements show them all at their finest. There's Gary Alesbrook (trumpet), Iain Ballamy (sax) Mark Edwards (piano), Mark Fletcher (drummer), Jamie McCredie (guitar and vocals) and Mark Preston (guitar).

Ashley has always been a self-deprecating and amusing musician and human being. He's worked with some of the big names including Thomas Dolby, Carla Bley and everyone in Loose Tubes (basically a Who's Who of UK jazz in the 1980s): he's also had significant mainstream musical success with Freak Power (with Norman Cook) and Kitten and the Hip.

Merry Jazzmas is a delightful collection of original tracks, including a modern version of Feliz Navidad and the rather naughty Santa's Snoring. Just occasionally, Ashley gives us all a glimpse of his sensitive side - the gorgeous Every Child and Christmas Hymn in particular (with some gorgeous Iain Ballamy sax). Then there's the country-influenced Home for Christmas which will make the perfect Christmas Eve track on every radio station.

Out now, Merry Jazzmas brings all the jazz kitsch you will ever need. I suspect some of these tracks will become ear-worms, just as Ashley's hit with Freak Power - Turn On, Tune In, Cop Out has.

Comments

Post a Comment

Popular posts from this blog

The Darius Brubeck Quartet live at Jazz Cafe Posk

-
Image
My first visit to Jazz Cafe Posk in London's Hammersmith coincided with the 60th anniversary of Posk - The Polish Social and Cultural Association - and the first performance in the club by pianist and composer Darius Brubeck. Photo credit @ Hilary Seabrook Darius was 10 when he joined his father on a historic tour of Poland. The Dave Brubeck Quartet toured Poland from 6 to 18 March 1958, just three years after the communist regime's ban on jazz was lifted. Without a doubt, this was the biggest jazz event in post-war Poland, with the archetypal and hugely successful outfit of Dave Brubeck (piano), Paul Desmond (alto sax), Eugene Wright (bass) and Joe Morello (drums). Sixty years later, in  2018, Darius took his own quartet - the same one he brought to Posk in May 2024 - to Poland for a significant tour, recorded and released as the Live in Poland album. Several of the tracks from this album were in the set at Posk and this quartet displayed in depth the benefits of playing to
Read more

Big Wade - 'Piano Man' out now

-
Image
Big Wade and Black Swan Theory collectively blends funk, soul, jazz and everything that fills the cracks between those genres: his new album -  Piano Man - on all major streaming platforms ahead of the Piano Man Tour 2024 , which has dates across the US. Piano Man  brings a selection of original and covers, including a stunning version of Autumn Leaves , which reinvents the song as the funky, electronic Autumn . Big Wade's voice takes the song's melody and improvises around and around, with backing vocals and a deliberately sparse arrangement underpinning the song. Similarly, on Children of the Ghetto , the lead and backing vocals blend in with the soulful musicians of Black Swan Theory. Electronics are used with dexterity, often expanding the vocal lines, as in the ethereal and ghostly opening of Don't Let Me Go . However, the tools never dominate - simply adding depth and layers to the funk. Never more than when Big Wade enters a new world in Interludes , including vocals
Read more

‘Memory in Motion’ with The Jazz Defenders

-
Image
A packed Pizza Express in London’s Soho was blasted by The Jazz Defenders as they unleashed their new album on the world - celebrating International Jazz Day 2024 in style. The Jazz Defenders Memory in Motion is a great album, out now on Haggis Records , with touches of Horace Silver and tinges of Herbie Hancock. There was something slightly disconcerting about an electronic keyboard sitting on top of the wonderful Dean Street Steinway and George Cooper handled them both with a dexterity and panache that made it all make sense. A talented bunch, The Jazz Defenders take their influences from wherever they choose, including some of the other ensembles in which they strut their stuff.  Horns are courtesy of Jake McMurchie (tenor sax) and Nick Malcolm (trumpet) and they are as much at ease on stabbing and intricate lines as they are on solos through the tracks. A solid rhythm and added excitement comes from Ian Matthews (drums) and Will Harris (double bass and bass guitar). Matthews in p
Read more