Skip to main content

Broodmen: 'Liminality'

If you haven't heard jazz using an accordion, I invite you to check out 'Liminality', the new album from Serbian trio Broodmen. This is a mash-up of jazz and hard-hitting rock, led by longtime collaborators guitarist Dragan Alimpijević Pik and drummer ZoltĆ”n Simon. If anything can get you up and dancing, this is probably it.



Broodmen came together in Novi Sad, Serbia and this latest album combines influences from across Europe and musical genres with a punch of energy. Their debut album from 2017 - Secondary Emotions - is followed by this exciting and stimulating collection of compositions. Alongside Dragan Alimpijević Pik (guitar) and ZoltĆ”n Simon (drums), Liminality features the accordion of Lazar Novkov and saxophone from Vasa Vučković on the effervescent Amsterdam which concludes with a percussive moment from Simon's drums.

The energy obvious throughout Liminality perhaps emanates from the recording process - live in a single, unbroken session. Alimpijević and Simon describe the album as a journey into uncharted territory, an uninhibited exploration of their collective voice: "This is a road into the unknown: a road on which we explore emotions hiding under the rational surface. It’s an attempt to leave behind knowledge and experience and step into a new, unexplored area."

It may be unexplored, but listeners will almost certainly enjoy the journey of exploration.

Comments

Popular posts from this blog

The Darius Brubeck Quartet live at Jazz Cafe Posk

My first visit to Jazz Cafe Posk in London's Hammersmith coincided with the 60th anniversary of Posk - The Polish Social and Cultural Association - and the first performance in the club by pianist and composer Darius Brubeck. Photo credit @ Hilary Seabrook Darius was 10 when he joined his father on a historic tour of Poland. The Dave Brubeck Quartet toured Poland from 6 to 18 March 1958, just three years after the communist regime's ban on jazz was lifted. Without a doubt, this was the biggest jazz event in post-war Poland, with the archetypal and hugely successful outfit of Dave Brubeck (piano), Paul Desmond (alto sax), Eugene Wright (bass) and Joe Morello (drums). Sixty years later, in  2018, Darius took his own quartet - the same one he brought to Posk in May 2024 - to Poland for a significant tour, recorded and released as the Live in Poland album. Several of the tracks from this album were in the set at Posk and this quartet displayed in depth the benefits of playing to...

Big Wade - 'Piano Man' out now

Big Wade and Black Swan Theory collectively blends funk, soul, jazz and everything that fills the cracks between those genres: his new album -  Piano Man - on all major streaming platforms ahead of the Piano Man Tour 2024 , which has dates across the US. Piano Man  brings a selection of original and covers, including a stunning version of Autumn Leaves , which reinvents the song as the funky, electronic Autumn . Big Wade's voice takes the song's melody and improvises around and around, with backing vocals and a deliberately sparse arrangement underpinning the song. Similarly, on Children of the Ghetto , the lead and backing vocals blend in with the soulful musicians of Black Swan Theory. Electronics are used with dexterity, often expanding the vocal lines, as in the ethereal and ghostly opening of Don't Let Me Go . However, the tools never dominate - simply adding depth and layers to the funk. Never more than when Big Wade enters a new world in Interludes , including vocals...

Maria Schneider Live at The Barbican

Tonight’s performance in the main hall at London’s Barbican Centre confirmed Maria Schneider ’s position as one of the finest composers of our generation. Working with the sublime Oslo Jazz Ensemble (formerly Denada), Schneider presented a selection of tunes from her ā€˜Data Lords’ double album from 2020 and the result was simply extraordinary. With a host of Grammy awards and a Pulitzer Prize nomination for Data Lords , Schneider has proved her right to stand on the Barbican stage in front of one of the finest ensembles in the world. Her music allows every member to shine, individually and collectively. Sax players who double on clarinet, bass clarinet, flute and alto flute, trumpets and flugelhorns, an accordion and multiple percussion pieces wielded by the drummer collectively provide a range of timbres, textures and dynamics that thrilled this audience. The Data Lords  compositions celebrate everything that is wonderful about nature, as well as all that is deeply worrying about ...