Jose James calls himself "the jazz singer for the hip hop generation" but he's so much more than that. His appeal seems to span the generations and as long as he keeps on releasing albums like his latest 1978 and putting on shows like this weekend's at Ronnie Scott's, that's not changing any time soon.
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| Photo credit: Leon Barker |
Playing tracks from
1978 (Jose James's 12th studio album and fourth on his record label
Rainbow Blonde Records), Jose and the band ran through different styles and genres effortlessly. The album is split into two - 'party' and 'politics', evoking something of the year of Jose's birth, while never slipping into meaningless nostalgia. This really is jazz for a hip hop generation, performed by some of the best musicians around. They all tipped their musical hats to some of the greats, who've clearly informed and inspired them and helped them develop their own style: Jimi Hendrix, Prince, Casey Benjamin, as well as Charles Mingus, Billie Holiday, John Coltrane, Marvin Gaye and Ella Fitzgerald.
Such a band! Jose was joined by
Mitch Henry (keyboards),
David Ginyard (bass) and
Jharis Yokley (drums) with a guest appearance from
Marcus Machado (guitar). These guys did what they do best - and they've all got amazing projects on the go, so please check them out.
The best thing about 1978 and seeing Jose James live on stage is that each of the tunes shows a respect for the past, a reflection of the present and a hint of the future. Technology plays its part, but Jose's use of a loop pedal is not a clever trick - clever as it undoubtedly is - but a piece of kit used creatively to allow the singer to produce his own backing vocals and solos, all at the same time.
Marcus Machado's solo on Black Orpheus was interrupted by a medical emergency in the audience. A respectful pause while help was given, and then the solo began again with the same level of energy and dexterity.
Favourite tune? It has to be Place of Worship, played in memory of the great saxophonist Casey Benjamin, who passed away in March.
This definitely goes onto the list as one of the best gigs of 2024 - I can remember 1978 as a teenager, but I wouldn't want to go back there. I'm happy being able to listen to musicians like this hold the attention of a rapt audience at Ronnie Scott's right now.
