Monday 7 August 2023

Two books - three musicians and a lot of important life lessons

My summer reading this year has included two fascinating books: both of them ostensibly about bass players, but actually they narrate more about the determination and self-determination that transfers across all our lives.

The first book - Upright Bass: the musical life and legacy of Jamil Nasser - was introduced to me in March by Muneer Nasser, the author, when he joined me for an episode of my podcast, Harmonious World. Muneer and I discussed the book, as well as the music of his father, Jamil, and his own releases. Once I started reading Upright Bass, I couldn't put it down.

Nasser drops names about the extraordinary musicians his father worked with, and alongside that he tells the story of an incredible life behind many great jazz gigs and recordings.

As well as the musical legacy, Jamil Nasser, who died on 13 February 2010, will be remembered for speaking up against injustice and this book expands on the way he used his voice as a power for good. At his memorial, jazz pianist and composer Harold Mabern said: "Jamie was a giver, not a taker, a man of high integrity and an organiser who didn't waste time."

Upright Bass is about so much more than the life and times of a musician. It is well worth a read for anyone interested in the ways of bop and the trials of being a jazz musician. Buy the book here and find out more about the music and the works of Muneer Nasser here. 

The second book about a bass player is the autobiography of Bill Harrison - Making the Low Notes.

Bill tells his story of being a jazz bassist at the highest level, mainly in and around Chicago. But, again, this says much more about how you approach life as a human, alongside the nuts and bolts of learning and playing this music we call jazz.

Once again, the bass is an instrument (pun intended) for a journey through life and all that throws at us all. The subtitle of Bill's book is 'a life in music' and that really is what this is about. Just as Muneer Nasser tells his Dad's story, so Bill tells us about the people who encouraged him, the music which influenced him and the twists and turns that moulded him.

Elvis Costello is one of those quoted as saying: "Writing about music is like dancing about architecture" or something similar. In both of these books, the music is a part of the story, but what comes through in them both is the humanity of the players. For those of us who are driven by music, it is at our core and will remain so. Trying to put that into words isn't always easy but both Muneer Nasser and Bill Harrison do a great job - both of them with a double bass at the heart.
Page 1Page 1

1 comment:

Anonymous said...

Great books

Post a Comment