Skip to main content

Alice Zawadzki: Live at Watford Jazz Junction Music Festival

The last Saturday night of Watford Jazz Junction Music Festival 2025 was the most amazing world premiere of a jazz suite composed by singer and violinist Alice Zawadzki. I was fortunate enough to be present for the first run-through, when this incredible group of musicians came together and made creative contributions to the form and structure of ‘Invented Folklore’.

Alice Zawadski and her band

The evening began with kinetic wonderment from tap dancer Petra Haller and pianist Tom O’Brien in a rendition of jazz standards and free improvisation. A truly unique experience, since no two performance could ever be the same.

Following that, Zawadski and her band were truly entrancing in their creative and collaborative renditions of the violinist and vocalist’s stunning compositions. The compositions allowed each musician the freedom to improvise and come together in ensemble sections that seemed effortless but clearly can only happen when you know and understand both the writing and your fellow players. There were moments when a solo section melted impossibly into the whole band playing rhythms that seemed to come from nowhere but Zawadski’s brilliant writing and the interpretation by these exceptional performers.

This is a truly stellar band. Alongside Zawadzki for the Watford premiere were Xhosa Cole (tenor sax and flute), Jon Scott (drums), Simon Roth ('Magic Box'), Misha Mullov-Abbado (bass) and Pete Lee (piano). With collective experience that encompasses British jazz at its finest, they bring inventive, award-winning creativity.

In telling stories acquired by Zawadski from walking around Watford, there are influences of fairy tales as well as classical and jazz that collectively make up an impressive suite that stands alone musically as well as being a moment in time for this diverse town, just a few miles north of London.

Cole swapped between sax and flute, incorporating whistles and hand percussion exactly where needed. Lee’s use of piano keys and strings was inspired, while Roth’s Magic Box percussion and Scott’s drums contributed a perfect backdrop and accompaniment. The percussion particularly on I Made My Home in Space: The Astronaut was perfect: it’s no accident that it was composed by Zawadski to celebrate Roth’s birth in Watford as one of the stories in the ‘Invented Folklore’ suite.

Meanwhile, Mullov-Abbado’s consummate bass throughout was encapsulated especially on Cat, following Zawadski’s explanation of the sad but possibly inspirational story behind the song (ask her about it!)

Zawadski’s compositions are truly inspired and inventive and her choice of musicians made this premiere a delightful end to the evenings of Watford Jazz Junction’s 2025 Music Festival. As I write this, the final day of music is being prepared, and watch out for more one-off gigs around Watford in coming months, including Jo Harrop in September and Emily Masser in October.

Comments

Anonymous said…
Beautiful words about a beautiful night. 🫶🏽

Popular posts from this blog

Maria Schneider: Live at The Barbican

Tonight’s performance in the main hall at London’s Barbican Centre confirmed Maria Schneider ’s position as one of the finest composers of our generation. Working with the sublime Oslo Jazz Ensemble (formerly Denada), Schneider presented a selection of tunes from her ‘Data Lords’ double album from 2020 and the result was simply extraordinary. Photo credit @Hilary Seabrook With a host of Grammy awards and a Pulitzer Prize nomination for Data Lords , Schneider has proved her right to stand on the Barbican stage in front of one of the finest ensembles in the world. Her music allows every member to shine, individually and collectively. Sax players who double on clarinet, bass clarinet, flute and alto flute, trumpets and flugelhorns, an accordion and multiple percussion pieces wielded by the drummer collectively provide a range of timbres, textures and dynamics that thrilled this audience. The Data Lords  compositions celebrate everything that is wonderful about nature, as well as all ...

Big Wade - 'Piano Man' out now

Big Wade and Black Swan Theory collectively blends funk, soul, jazz and everything that fills the cracks between those genres: his new album -  Piano Man - on all major streaming platforms ahead of the Piano Man Tour 2024 , which has dates across the US. Piano Man  brings a selection of original and covers, including a stunning version of Autumn Leaves , which reinvents the song as the funky, electronic Autumn . Big Wade's voice takes the song's melody and improvises around and around, with backing vocals and a deliberately sparse arrangement underpinning the song. Similarly, on Children of the Ghetto , the lead and backing vocals blend in with the soulful musicians of Black Swan Theory. Electronics are used with dexterity, often expanding the vocal lines, as in the ethereal and ghostly opening of Don't Let Me Go . However, the tools never dominate - simply adding depth and layers to the funk. Never more than when Big Wade enters a new world in Interludes , including vocals...

The Darius Brubeck Quartet: Live at Jazz Cafe Posk

My first visit to Jazz Cafe Posk in London's Hammersmith coincided with the 60th anniversary of Posk - The Polish Social and Cultural Association - and the first performance in the club by pianist and composer Darius Brubeck. Photo credit @ Hilary Seabrook Darius was 10 when he joined his father on a historic tour of Poland. The Dave Brubeck Quartet toured Poland from 6 to 18 March 1958, just three years after the communist regime's ban on jazz was lifted. Without a doubt, this was the biggest jazz event in post-war Poland, with the archetypal and hugely successful outfit of Dave Brubeck (piano), Paul Desmond (alto sax), Eugene Wright (bass) and Joe Morello (drums). Sixty years later, in  2018, Darius took his own quartet - the same one he brought to Posk in May 2024 - to Poland for a significant tour, recorded and released as the Live in Poland album. Several of the tracks from this album were in the set at Posk and this quartet displayed in depth the benefits of playing to...